By Carolyn L. White
Bracelets, buckles, buttons, and beads. Clasps, combs, and chains. goods of private adornment fill museum collections and are on a regular basis exposed in ancient interval archaeological excavations. yet until eventually the booklet of this complete quantity, there was no uncomplicated consultant to aid curators, registrars, historians, archaeologists, or creditors determine this category of gadgets from colonial and early republican the USA. Carolyn L. White is helping the reader comprehend and interpret those artifacts, discussing their resource, manufacture, fabrics, functionality, and price in early American existence. She makes use of them as a window on own id, exhibiting how gender, age, ethnicity, and sophistication have been usually displayed during the items worn. White attracts not just at the goods themselves, yet makes use of their portrayal in artwork, modern writings, ads, and enterprise documents to evaluate their intending to their vendors. A reference quantity for the shelf of a person attracted to early American fabric tradition. Over a hundred illustrations and tables.
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Additional info for American Artifacts of Personal Adornment, 1680-1820: A Guide to Identification and Interpretation
Margaret Ponsonby remains a true friend. I am grateful for the support from Strawbery Banke Museum that took so many shapes. Martha E. Pinello created a supportive and enjoyable environment for productive archaeological work; I am thankful for the space, access, and assistance she established for this project on both a personal and institutional level. Sandra DeChard provided fellowship and help during many research trips to Portsmouth. I thank Jessica Desany and Rebecca Hatch McKernan for their friendship and affability during our shared time in Portsmouth and in the ensuing years.
These particular sets of differences are only some of the myriad identities that were significant in the lives of individual New Englanders, and they all could be reflected in personal appearance. It is easiest to understand how the dominant cultural group—white upper-class society with British origins—used personal adornment, and the most likely meanings of objects for this sector of the populace are the most accessible. My use of documentary source materials virtually guarantees this sector of society is most readily understood when using this guide.
As I have stressed above and touch on again below, these various elements of identity are simultaneous and intertwined in individual lives, and the individual discussion of each aspect is not meant to give an alternate impression. When interpreting any class of material culture, some materials yield more or less information about certain aspects of identity. Such is the case with personal adornment, as some artifacts can be used to understand one or two aspects of identity above others, while other artifacts provide a venue through which multiple interlaced aspects of identity can be assessed.
American Artifacts of Personal Adornment, 1680-1820: A Guide to Identification and Interpretation by Carolyn L. White